The lovely patina of weathered steel and the magnificent proportions of its huge cantilevered roof marks the two-story fishing cabin by Olson Kundig Architects in the cool northern light of Olympic Peninsula in Washington.
Like many buildings by Olson Kundig Architects, the Sol Duc Cabin has a rugged quality that celebrates the masculine pleasures of the simple life in a return to nature.
To survive occasional flooding, the 350 square foot fishing cabin is set lightly on the site, sitting high on four steel columns.
Huge industrial-scale sliding steel panels mean the two story structure can be completely closed up when the owner is away.
Inside, the get-away-from-it-all fishing cabin is outfitted in the firm’s typically masculine no-nonsense style of industrial chic.
Inside the tall two story space, the bedroom is set high on a mezzanine floor.
While the materials used are restricted to the brutally spartan, the luxury of this very elevated open space is untrammelled.
Yes, sleek and modern is nice, but there’s something particularly special about a retro, vintage kitchen. To our mind, the perfect retro kitchen is one that references the traditional and the vintage, without reproducing too rigorously the era from which it is drawn. One of our favorite examples is the kitchen above, which has the feel of an old farmhouse kitchen. Complete with the farmhouse sink, butcher block countertops, utilitarian subway tile, vintage stove and aluminum industrial lights, the kitchen definitely has a timeless, country air. And yet, there’s a feeling of modernity resulting from the modern stainless steel refrigerator, the ethereal gray wall color choice and the white oak floors.
Below, another modern retro kitchen boasts a 50s aesthetic while still feeling very contemporary:
Above, it’s the bright red stove, the black and white linoleum and the cabinet pulls that feel a little bit vintage. On the other hand, the stove is actually a very modern one with a slightly retro look. The small appliances have a retro look but are clearly modern. The result is that this kitchen feels a bit 50s without straying into kitsch territory.
What if your personal vibe leans more toward the 60s than the 50s? Below is a kitchen that references the 60s — Eames style chairs, the vivid yellow acrylic light, the bright laminate countertop. But it still feels contemporary, partially because the cabinetry and appliances are contemporary in style.
Below, find another modern retro kitchen. The mint green cabinets and retro-style refrigerator suggest the 50s, along with the bead-board ceilings. And yet the door pulls, the appliances, the lighting, suggests nothing else but modern.
Here are some more views:
So what are the secrets of achieving a retro feel while keeping things fresh and modern?
- Consider white subway tile. It’s a classic that still boasts a clean feel that will never go out of style.
- Don’t feel that all your appliances have to be “retro.” You can opt for one retro “statement” piece — perhaps a refrigerator, as in the kitchen above, or perhaps a stove, as in the first kitchen in this post. Going for all retro appliances may pull your kitchen into the “too cute” territory.
- Consider opting for period colors, without opting for a period style. The pale pastel green of the kitchen above certainly suggests the 50s, but the clean lines of the cabinetry and countertops are utterly contemporary. Melding the two creates a freshness that would not have been possible if the owners had chosen retro everything.
- Let your lighting do the talking. Sometimes, all it really takes to create a period feel is investing in statement lighting figures. The industrial pendants in the first picture speak to old farmhouses and lighting fixtures of the early 20th century. The acrylic light in the third photo definitely says “mid-century modern.”
Totally and completely clad in glowing aluminum panels, architects JVA have created a northerly vacation home that is a symphony in silvers.
Sited overlooking Norway’s beautiful archipelago, the shimmering vacation home replaces a shabby cottage that previously occupied the site.
With its central sail inserted between angles on the seaside decks, and the cool northern light reflected from its surfaces, the cabin references the watery pleasures of sailing.
The central entrance sail is illuminated at night like a glowing beacon.
One side is subdivided into bathrooms, bedrooms and kitchen – while the other side is the large open living room.
The cabin is quite narrow, and light plays along its many surfaces of glass.
As the light changes over the day, this glowing facade too is altered in the ever shifting daylight.
In some lights there is an almost eerie effect.
The silvery cladding is not just for its gorgeous good looks though.
The aluminum is highly seawater resistant.
Surprisingly, even parts of the interiors are lined in the same material.
For the most part though, the architects indulge a more typical Scandinavian sensibility embracing the cool northern light.
The entire living space can be opened up to the cool fresh air of the archipelago.
Folding doors allow several of its facades to be completely folded back, creating a pavilion-like space.
A minimalistic outdoor shower greets those returning from a dip in the brisk waters of the archipelago.
The silvery cabin peeks over its rocky terrain, forming a contrast in textures with the matte grey stone.
Altogether a delightful vacation retreat in Norway’s northern climes.
The Makoko Floating School is a prototype structure that addresses climate change for the aquatic slum district of Makoko in the heart of Lagos, Nigeria.
The building is designed to adapt to the constant flooding and storm surges that regularly inundate the former fishing village in Lagos where over 100,000 people live in houses on stilts in the waters.
The project was initiated, designed and built by NLÉ, the studio founded by Nigerian-born architect Kunlé Adeyemi, in collaboration with the Makoko Waterfront Community.
Instead, the new Makoko Floating School was supported on a pontoon and floated out on the water, bypassing the unpredictable water levels that cause regular flooding.
The 220 meter A-frame structure was put together by local residents, using wooden offcuts from a nearby sawmill and locally grown bamboo.
Standing 10m high with a 10m x 10m base, its triangular profile allows the building to accommodate three storeys, yet with a low center of gravity, keeping it stable even in heavy wind.
Its open construction means that even in very extreme weather, it can safely house a hundred adults.
Designed for a region with unpredictable water levels that cause regular flooding, NLÉ sees the floating school as a prototype, that could be used for any purpose.
They proposed the mass production of the module in Lagos State for the Lagos Water Communities Project within the African Water Cities research project.
NLÉ self-funded the project initially, and later received research funds from Heinrich Boll Stiftung and the UNDP/Federal Ministry of Environment Africa Adaptation Programme.
“In many ways, Makoko epitomises the most critical challenges posed by urbanisation and climate change in coastal Africa,” said the architects. “At the same time, it also inspires possible solutions and alternatives to the invasive culture of land reclamation.”
The Dani Ridge House in California from Carver + Schicketanz features a sweetly amusing curved grass roof set atop an ocean view.
Clad in warm earthy timbers, the gentle home exudes comfort from its hilltop perch overlooking the vast Pacific Ocean.
The house creates a sheltered patio from the prevailing winds.
Contrasting with the earthy timbers holding up the green roof, glass boxes evoke the hues of the ocean beyond.
Part of the house is buried inside the hilltop, partially concealing it from view.
Only the see-through living room and the back of the master bedroom is exposed.
The master bedroom enjoys totally untrammeled views out, while being sealed off from spying eyes of the neighbors uphill.
In a bathroom, the earthy mix of textured colors is suggestive of the ocean.
In another, an intriguing simple glass box is constructed as a washbasin.
Local stone is gathered to create the retaining wall squaring off the hill, while the slice of green turfed curved roof extends forward over the transparent living room.
The thick green roof helps insulate the roof, while double pane glass insulates the sides and the thick stone floor acts as a thermal sink, storing up the warmth of the California sunshine.
All the utilities are concealed underground, including a 5,000 gallon water tank to harvest rainwater.
In sum, checking off all the eco boxes, the architects have created a true Northern Californian idyll.